I’m a big believer that people ‘buy from people’ and as you might be inviting me into your life and trusting me with your wedding photography, I thought I’d share some of my life with you so that we can get to know each other better.
The below image was taken at my first ever wedding more than 12 years ago at Langdale Chase Hotel in the Lake District. Kerry the bride upon viewing the image said “Wow! Wes, you captured the true us!’ That one remark set me on my path to becoming a wedding photographer…
At that time I was working a camera operator on TV shows such as Hollyoaks and Shameless for channel 4. That one comment took me to the decision to leave a very successful media career to pursue wedding photography with an aim to share my knowledge and insights so that couples got real, meaningful and powerful wedding images.
Today, I’m proud to say that more than 450+ coupes in over 10 countries have trusted me with their wedding and engagement memories.
My background in the media industry together with a degree in body language has given me an incredible gift to be able to visualise an image in my mind before I’ve pressed the shutter. This enables me to pre-empt and capture unscripted fleeting moments of emotion as they happen.
This unique skill coupled with my professionalism and enthusiasm has seen me featured on TV as a ‘celebrity wedding photographer’ on the TV show Celebrity Wedding Planner and see me providing photography for iconic music stars, famous faces and Premiership footballers.
A few years ago, my ability to capture emotion caught the attention of the UK’s biggest-selling classical artist, opera star Russell Watson; who commissioned me to photograph his destination wedding which featured in a HELLO! exclusive with the magazine describing my work as – “A Fairytale Wedding Album.” and was listed in the 50 most memorable celebrity weddings of the decade.
I have been nominated for Wedding Photographer of the Year for 4 years running at the National Wedding Awards and named in the Top 50 Wedding Photographers in England by GoHen and the Top 10 Destination Wedding Photographers by ZankYou.
Here is my story...
TRAVEL & EDUCATION
Call it fate or what you will, but I never set out to become a wedding photographer. My first memory of photography was playing with my Grandad’s old Olympus 10, a film camera that was later left to me in his will after his passing when I was 8 years old. Looking back, this now makes perfect sense.
Growing up I was always visually creative; colouring and painting as a child naturally lead to an Art and Communications Degree with my first photography job coming when I set my sights on combining two of my greatest passions; travel and photography.
I gained employment for Carnival Cruise Lines in Miami, USA, as a cruise-ship photographer (the guy who takes a picture of you holding a lizard in Mexico whilst wearing a sombrero – that was me).
TELEVISION CAMERA OPERATOR
Returning home to the UK, I applied for an apprenticeship with the BBC and trained in the Camera Department as a clapper loader and focus puller before gaining employment on Channel 4’s Brookside as a camera assistant/operator.
This training and valuable work experience led to a successful freelance career of more than 10 years. I worked on well-known TV shows such as Hollyoaks and Shameless with highlights of working with rock group U2 on a documentary for ITV and on feature films Alfie starring Jude Law, 51st State starring Samuel L Jackson and Danny Boyle’s Millions.
My interest in ‘documentary photography’ came via work opportunities, due to the places I was travelling and the people I was meeting I found that I was taking pictures at every opportunity. During this time I got the opportunity to photograph celebrities such as Pink, Morrissey, Paul Weller, opera singer Russell Watson and rock group U2.
I remember, all I was interested in photographing at the time was a mix of black and white images that were inspired by the classic, behind-the-scenes-styles of photographic images that you see in old magazines from the world of music, fashion and cinema.
The style of photography that has always fascinated me (and still does to this day), are iconic images such as Marilyn Monroe’s ‘Flying Skirt.’ And as I was travelling a lot with work I would take street style photography in my spare time of all the places I visited.
For a number of years, my career took a slide step when I worked as an assistant to the Opera singer Russell Watson. This was a uniquely privileged position which saw me travel the Globe with Mr Watson at the hight of his success which included the production and promotion of x3 multi-platinum albums and two world tours.
BECOMING A WEDDING PHOTOGRAPHER
It is now 2006 and I’ve returned home to Lancashire; after long trips to New York and Japan, I find I have time on my hands to reflect on both my work and personal life. I’ve started to fall out of love with living out of a suitcase and the long hours and uncertainty that goes with working freelance in the media industry.
Call it fate or what you will, but that summer I was invited to attend five weddings as a guest, the first and only time that has ever happened in one year!
First up was my cousin’s wedding; Darren and Kerry’s big day which was to be held at the beautiful Langdale Chase in the Lake District. As I was looking for a new direction and career opportunities, Darren suggested I photograph his wedding.
Even though I knew my way around a camera I was very nervous as I was used to the security of being able to say, “take 2, take 3” etc, on the film set. You don’t get that luxury with a real-life wedding; however, the pressure was lifted as they had booked a full-time wedding photographer and I was only asked to take additional pictures to compliment the day.
MY FIRST WEDDING AS A PHOTOGRAPHER
Armed with my Granddad’s old Olympus OM10 camera, together with a hired digital Canon 20D and some basic equipment I attended the wedding. If I’m honest, my method for capturing the day was really bad. To start with, I followed the professional photographer around for the morning (I now understand this was quite a rude and an irritating thing to have done).
Hanging on the photographer’s shoulder, I was posed to taking similar traditional style wedding pictures to her. After all, at the time, that is what I thought wedding photography was!
This approach soon got a little bit boring for me and I wasn’t enthusiastic as I’d hoped. More importantly, I felt that those types of photographs didn’t represent the couple or the story of the event in any way.
Moving forward, it’s now early afternoon, the wedding ceremony had gone really well and I had a collection of pictures in the bag, so I decided to step back from the action, I was watching the photographer from afar whilst soaking up the atmosphere of the celebration.
I noticed the photographer was doing a great job of lining people up and posing them in lines and then taking classic posed portraits. For me, this just didn’t seem real or authentic. I felt it wasn’t a true reflection of the couple or of the day. The real story was happening behind the photographer’s back as she was ‘manufacturing’ her interpretation of what the day should look like.
I thought to myself, there isn’t any point in me taking similar shots to the photographer, so I started photographing the event in a more ‘documentary’ way, framing my images as I did on television shows and capturing all the real and natural moments.
Read more: What Is Documentary Wedding Photography.
A LEAP OF FAITH
After the wedding, I presented the couple with a collection of images from the day and the following afternoon, Kerry the bride called me and said –
“WOW, Wes I just want to say, you really captured ‘US’. Your photographs are more real and tell a better story than the photographer we hired, you’ve got something here, something different… a gift!”
This statement opened my eyes to the joys of wedding photography. So the following weekend, my Mum, with a 100% conviction and belief, agreed to sign a 12-month finance deal on my behalf from Jessop’s, the Camera shop in Liverpool for my first ever ‘semi-professional camera’, which was a Canon 20D complete with 24-70mm and 70-200mm lens.
The following Monday morning I set up Wes Simpson Photography – with an aim to set a new standard of quality and experience for the wedding photography sector in my region.
STARTING A WEDDING PHOTOGRAPHY BUSINESS
Artistically, developing my own unique style and approach to wedding photography was important to me. From early on, I heavily invested in education and photography workshops. This helped inspire and educate me and opened my eyes to the possibilities of different styles, theories and methods of professional creative wedding photography.
The first few years all my time, energy and money went into researching and developing my brand. New logos and websites came and went. It’s always been important to me that the quality of the products I offer reflect the quality of my work. I wanted to offer my customers the best wedding albums on the market; this led to me visiting a printing and production factory in Italy to see first hand how the albums are made.
WEDDING PHOTOGRAPHY – CREATING A BRAND
The thing I love most about wedding photography is that it has tremendous power and emotional value. It can soften hearts, strengthen relationships and it can bring people together.
Today, a lot of my work comes from word of mouth and recommendation. I’m proud to say that more than 400+ couples in over 10 countries have trusted me with their wedding photography.
I’ve been a Wedding Photographer Of The Year finalist four years running at The English Wedding Awards and photographed celebrity weddings, Premiership footballers and music icons.
I am extremely grateful to be able to call myself a UK and Destination Wedding Photographer. I have won multiple awards and I’m humbled to have seen my work featured in Celebrity Magazines such as HELLO! (read more here).